London Prints | Rare 1960 Gray’s Transition Design

London Prints holds a unique place in history as one of the few designs Susan Williams-Ellis chose to carry over from the Gray’s Pottery catalog after purchasing the company in 1960. Recognising the timeless appeal of the detailed engravings, she integrated them into the early Portmeirion portfolio, where they became a staple of early 1960's "Smart Minimalist" decor.

The Architectural Triptych

The range originally featured three iconic London landmarks, reproduced from highly detailed traditional engravings:

1. Temple Bar

2. St. Paul’s Cathedral

3. The Tower of London

These black-and-white transfers were applied to various ceramic bodies, creating a look that was both historical and strikingly modern.

Rare Finishes & Lustre Ware

While the standard black-on-white versions are the most common, the early 1960's saw Portmeirion experimenting with more traditional, decorative finishes:

• Sunderland-Style Lustre: In a nod to 19th-century traditions, some prints were applied to pink, metallic lustre bodies. These pieces are rare survivors of the "Gray’s to Portmeirion" transition.

• The Gilded Base: For a truly premium finish, some transfers were applied over a gilded base. This "sandwich" technique allowed the black engraving to sit atop a shimmering gold ground, making the architectural details "pop" with extraordinary clarity.

A Statement of 1960's Sophistication

London Prints worked spectacularly well on "New Age" shapes like storage jars, cigarette boxes, and Imperial tankards. Though the range was discontinued shortly after 1964, its crisp, monochromatic aesthetic ensures it remains a favorite for collectors of British heritage and mid-century design.

Looking for a rare Gilded or Sunderland Pink original? Browse our London Prints collection here.